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Původní MwC scénář - Pilot (0101) - 1.část
(First original MwC script - Pilot (0101) - part 1)

Poslední aktualizace: 13-06-1999

    Tento scénář se mi dostal do rukou díky Andreasovi z Bundyology, kterému bych chtěl vážně poděkovat - thanks boy! :)
    Scénář pochází z úplně prvního natáčecího dne. Povšimněte si toho, že zde ještě vůbec nehrají Christina Applegate a David Faustino. Místo nich zde ještě působí Tina Caspary a Hunter Carson, o kterých si můžete přečíst dřívější článek Jak měla původně vypadat rodinka Bundových. Po prvním natáčení byli tito dva označeni za "nevhodné". Musel se udělat nový casting, ve kterém už byli oba dva naši známí - David a Christina, a celá epizoda se musela natočit znova. Dále si také všimněte, že pes Buck se ještě jmenuje Michael.

! Zde budu postupně doplňovat rozdíly mezi originálním Pilotním dílem !


 
FINAL DRAFT

December 8, 1986

MARRIED...WITH CHILDREN
"Pilot"

Executive Producers

Ron Leavit
and
Michael G. Moye


Supervising Producers

Katherine Green
and
Richard Gurman


Producer

John Anderson


Directed by

Linda Day


Written by

Ron Leavit
and
Michael G. Moye

 AN EMBASSY COMMUNICATION PRODUCTION SHOW:  #0101
TAPE:  12/12/86
AIR:  TBA
 ALL RIGHTS RESERVED

 "No portion of this script may be performed or reproduced by any
  means, or quoted or published in any medium without the prior
  written consent of EMBASSY COMMUNICATIONS, 1901 Avenue of the
  Stare, Suite 1600, Los Angeles, California 90067"



MARRIED...WITH CHILDREN
TENTATIVE REHEARSAL AND TAPING SCHEDULE
#0101

X557-5096
Wednesday, December 3, 1986 Rehearsal Hall 14    -4961

Read Script
Lunch
Cast Exams/Rehearse


12:00NN -  1:00PM
 1:00PM -  2:00PM
 2:00PM -


Thursday, December 4, 1986

Rehearse
Lunch
Rehearse


Rehearsal Hall 14

10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -


Friday, December 5, 1986

Rehearse
Lunch
Rehearse
Run-thru
Notes (in rehearsal hall)


Rehearsal Hall 14

10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -  4:30PM
 4:30PM -  5:30PM
 5:30PM


Monday, December 8, 1986

Rehearse
Lunch
Rehearse
Run-thru
Notes (in rehearsal hall)


Rehearsal Hall 14

10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -  4:30PM
 4:30PM -  5:30PM
 5:30PM


Tuesday, December 9, 1986

Rehearse
Lunch
Rehearse
Run-thru
Notes (in rehearsal hall)


Rehearsal Hall 14

10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -  4:30PM
 4:40PM -  5:30PM
 5:30PM


Wednesday, December 10, 1986

ESU
FAX
Lunch
FAX
Run-thru
Notes (in Green room)


Stage 89 X557-5087

 9:15AM - 10:00AM
10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -  4:30PM
 4:30PM -  5:30PM
 5:30PM


Thursday, December 11, 1986

ESU
FAX
Lunch
FAX
Set-up for Run-thru (w/ward/makeup/hair)
Run-thru
Notes (in Green room)


Stage 89

 9:15AM - 10:00AM
10:00AM -  1:00PM
 1:00PM -  2:00PM
 2:00PM -  4:00PM
 4:00PM -  4:30PM
 4:30PM -  5:30PM
 5:30PM



MARRIED...WITH CHILDREN
TENTATIVE REHEARSAL AND TAPING SCHEDULE (CONT'D)




Friday, December 12, 1986

ESU
FAX
Notes, makeup, hair, wardrobe
VTR/FAX (Dress w/audience)
Meal/Notes
VTR/FAX (Air w/audience)
Pickups




Stage 89

 1:45PM -  2:30PM
 2:30PM -  4:30PM
 4:30PM -  5:30PM
 5:30PM -  6:30PM
 6:30PM -  8:00PM
 8:00PM -  9:00PM
 9:00PM -


NOTE CAST:


PLEASE DO NOT WEAR WHITE, BEIGE OR YELLOW
FOR CAMERA BLOCKING





























"MARRIED...WITH CHILDREN"

#0101


C A S T

AL BUNDY. . . . . . . . . . . . . . . . . . . . ED O'NEILL

PEGGY BUNDY . . . . . . . . . . . . . . . . . . KATEY SAGAL

STEVE RHOADES . . . . . . . . . . . . . . . . . DAVID GARRISON

MARCY RHOADES . . . . . . . . . . . . . . . . . AMANDA BEARSE

KELLY BUNDY . . . . . . . . . . . . . . . . . . TINA CASPARY

BUD BUNDY . . . . . . . . . . . . . . . . . . . HUNTER CARSON

LUKE VENTURA. . . . . . . . . . . . . . . . . . RITCH SHYDNER

NANCY . . . . . . . . . . . . . . . . . . . . . DIANA BELLAMY

ARNOLD. . . . . . . . . . . . . . . . . . . . . VICTOR Di MATTIA

LISA. . . . . . . . . . . . . . . . . . . . . . SUE ANN GILFILLAN

DAWNY . . . . . . . . . . . . . . . . . . . . . LINDA DONA

BUCK BUNDY, THE DOG . . . . . . . . . . . . . . MICHAEL, THE DOG

TV ANNOUNCER. . . . . . . . . . . . . . . . . .


S E T S

ACT ONE

    INT. BUNDY LIVING ROOM/KITCHEN - MORNING              ( 1)

    INT. GARY'S SHOES & ACCESSORIES FOR TODAY'S           (14)
    WOMAN - DAY

    INT. BUNDY LIVING ROOM/KITCHEN - EVENING              (22)

ACT TWO

    INT. BUNDY LIVING ROOM/KITCHEN - A SHORT TIME LATER   (29)


MARRIED...WITH CHILDREN - #0101
SHORT RUNDOWN
Pilot   A.     
 
 
 
 
 
 
 
 
 
 
ACT ONE, Scene One         ( 1)
INT. BUNDY LIVING ROOM/KITCHEN
- MORNING

(Al, Peggy, Kelly, Bud, Buck)
 
 
 
 
 
 
 
 
ACT ONE, Scene Two         (14)
INT. GARY'S SHOES &
ACCESSORIES FOR TODAY'S WOMAN
- DAY

(Al, Luke, Nancy, Arnold, Lisa,
Tawny, Mindy, 5 High School
Girl Extras, Extras)
 
 
 
 
 
 
 
 
ACT ONE, Scene Three       (22)
INT. BUNDY LIVING ROOM/
KITCHEN - EVENING
(Al, Peggy, Host, (O. S.))
 
 
 
 
 
 
 
 
ACT TWO, Scene One         (29)
INT. BUNDY LIVING ROOM/
KITCHEN - A SHORT TIME LATER
(Al, Peggy, Bud, Kelly, Steve,
Marcy)
 
 
 
 
 
 
 
 
ACT ONE
TOTAL:
 
 
 
 
 
 
 
 
ACT TWO
TOTAL:
 
 
 
 
 
 
 
 
TOTAL
TAPE:
 
 
 
 
 
 
 
 
DESIRED
TIME:
 
 
 
 
 
 
 
 
OVER/
UNDER
 
 
 
 
 
 
 
 


#0101
(Al. Peggy, Kelly, Bud, Buck the Dog)
1. 

ACT ONE
SCENE ONE
FADE IN
:
INT. BUNDY LIVING ROOM/LITCHEN - MORNING

(IT IS MODESTLY DECORATED, WORKIN'

MAN'S HOME, PROBABLY IN A WORKIN' MAN'S

SECTION OF CHICAGO. WE SEE THE LIVING

ROOM AND KITCHEM AREA. IN THE KITCHEN

SI THE WORKIN' MAN'S WIFE. SHE IS NOT

WORKING. HER NAME IS PEGGY BUNDY. SHE

SITS, SIPPING COFFEE, AND DOING A

CROSWORD PUZZLE. BUCK, THE DOG, LIES

AT HER FEET. A PRETTY SIXTEEN-YEAR-OLD

GIRL, KELLY BUNDY, IS AT THE SINK.

SHE HOLDS A PLATE WITH AN ENGLISH MUFFIN

ON IT. IN HER OTHER HAND ARE HER SCHOOL

BOOKS. SHE CROSSES TO LIVING ROOM, SETS

PLATE ON COFFEE TABLE AND SITS ON COUCH.

SHE DOES HER HOMERWORK. AL BUNDY COMES

DOWN THE STAIRS. HE CARRIES A LITTLE

POTTED CACTUS. HE HAS A BANDAID ON HIS

PALM. HE CROSSES TO KITCHEN)

  AL
  Hey, Hon. Is this your little
cactus?
  PEGGY
  Uh huh.



#0101 2. 

  AL  
  Any particular reason you put it
where the alarm clock used to be?
 
  PEGGY  
(SWEETLY)
  I thought it would dress up the
room.   Gee, meant to tell you to
be careful before you slammed your
hand down on the alarm this morning.
 
  AL  
(LAUGHS FALSELY)
  Wellll, you didn't.  
  PEGGY  
  I'm sorry.  
  AL  
(SARCASTIC)
  Then it's okay.  
(HE CROSSED TO COUCH AND SITS)
  Hi, Kelly.  
  KELLY  
  Hi, daddy.  
(SHE NOTICES HIS BANDAID)
  What happend?  
  AL  
(OFF HAND)
  Your mother tried to kill me.
What're you doing?
 



#0101 3. 

  KELLY  
  My homework.  
  AL  
  Kell, I thought we talked about
this before.  If you wait until
the last munute to do things,
you always wind up rushing and
you never do your best.  And I
want you to do your best.
 
  KELLY  
(NOT LOOKING UP)
  I will, Daddy.  But right now I'm
doing my homerwork, okay?
 
  AL  
  Good girl.  
(AL PICKS UP KELLY'S PLATE)
  Hey, that looks good.  Peg.  Make
me an English muffin?
 
  PEGGY  
  Al, you know you're supposed to
watch your weight.  Now, are you
sure you want one?
 
  AL  
  Yes!  
  PEGGY  
  We have no more.  Kelly got the
last one.
 



#0101 4. 

  AL  
  Kell?  
  KELLY  
  I'm gonna eat it, Daddy.  
(SHE TAKES THE PLATE)
  AL  
  Good girl.  
(HE SIGNS AND CROSSES TO THE KITCHEN)
  Where's Bud?  
  PEGGY  
  Who?  
  AL  
  Your son.  
  PEGGY  
  Oh.  He's getting dressed for
school.  By the way, he's got
Show and Tell today at school.
The subject is "What Does Daddy Do?"
 
  (MORE)  














#0101 5. 

  PEGGY (CONT'D)  
  So when you come home tonight, if
there's a can of beer missing, and
you can't find the remote control,
that's where they are.
 

(AL RACTS.  HE OPENS REFRIGERATOR AND

LOOKS INSIDE, AS WE SEE A TEN-YEAR-OLD

BOY, BUD BUNDY, COME STEALTHILY DOWN

THE STAIRS.  HE WEARS CAMOUFLAGE CLOTHES

AND HAS A RUBBER KNIFE IN HIS MOUTH.  HE

HIDES BEHIND A PLANT, PUSHING IT TO THE

BACK OF THEE COUCH.   WE DON'T SEE HIM FOR

A SECOND.   A BEAT, THEN WE SEE HIS HAND

REACH UP, GGRAB HIS SISTER'S HAIR AND PULL

HER HEAD BACK.  HE "SLITS" HER THROAT

WITH HIS RUBBER KNIFE)

  KELLY  
  Let go of may hair, you little
psychopath.
 
  PEGGY  
  Bud.  Stop it!  Al?  
  AL  
  Bud.  Stop it.  







#0101 6. 

  BUD  
(TO KELLY)
  They won't always be here.  
(KELLY REACHES FOR HIM OVER THE COUCH)
  Mom!  
(BUD RUNS INTO THE KITCHEN)
  PEGGY  
  Kelly...Al?  
  AL  
  Kelly.  
  KELLY  
(TO AL AND PEGGY)
  You're not going to have any
more kids, are you?
 
  AL/PEGGY  
  No.  
(KELLY GOES BACK TO HER HOMEWORK.  BUD
GOES TO COUNTER WHERE HIS LUNCHBOX IS)

  AL  
(CROSSING TO BUD)
  Bud.  I thought we talked about
this before.
 
  BUD  
  What's that, Dad?  






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